The power of analog color
Before
Before
Before
Filmed with a standard cinema camera and lighting package. Modern cameras are designed to work well in low light but are poor at telling colors apart. They rely on software to squash and stretch the signal into a usable image, which results in subtle colors melding together into a sickly yellow-brown and strong colors turning into broad f
Filmed with a standard cinema camera and lighting package. Modern cameras are designed to work well in low light but are poor at telling colors apart. They rely on software to squash and stretch the signal into a usable image, which results in subtle colors melding together into a sickly yellow-brown and strong colors turning into broad flat plastic-like patches. Colorists can do many things, but can't separate colors that have already mixed.
After
Before
Before
Filmed with the same camera, but modified for Optical Radiance, along with our custom lighting package. This image comes straight from the camera, no color grading has been applied.
Colors are deep, vivid and alive while delicate skin tones remain true to life! You can spend hours (and dollars) working with color grading software, LUTs and
Filmed with the same camera, but modified for Optical Radiance, along with our custom lighting package. This image comes straight from the camera, no color grading has been applied.
Colors are deep, vivid and alive while delicate skin tones remain true to life! You can spend hours (and dollars) working with color grading software, LUTs and other post processes and still won't be able to match the vintage technicolor images achieved with our analog color process. Save yourself from the frustration!
Watch #NotAllGhosts on Prime Video!
The first ever film produced in Optical Radiance is free to watch for Amazon Prime subscribers, click through to see it now!